Thursday, May 20, 2010
McAndrews & Reigstad “Tutoring Writing” Chapter 2: “Research Supporting Tutoring Writing”
This chapter emphasizes the empirical evidence that supports tutoring. This research comes from research done about Peer Response Groups, where groups of students or peers discuss writings done by others within the group, peer tutoring in general, one-on-one conferences with teachers, and writing tutoring itself. Most of the evidence comes from the other things rather than from writing tutoring, but it translates to tutoring writing.
What I Got:
From this chapter, I developed a basic understanding of the hard facts supporting writing tutors. The chapter also pointed me in the direction of studies in case I wanted too look more closely at the data gathered. I also got an understanding that there isn’t as much research out there that pertains specifically to writing coaching.
Questions:
Both peer response groups and conferences with teachers are very different from one-on-one peer tutoring in writing. How does the data supporting these methods support what we do as coaches?
What a Beginning Coach Would Need:
I’m not really sure if there is anything that a beginning coach would need in this section. Does a beginning coach really need to know about the research supporting tutoring in order to help a student writer learn good writing habits, practices, or methods?
Best For:
This chapter seems to be good for someone curious about what research is out there, perhaps someone taking a class or thinking about beginning research in the center. This is probably more experienced coaches and people enrolled in the Peer Tutoring course rather than someone getting trained in the center.
Bedford Guide, Chapter One: “The Writing Center as Workplace”
This chapter is all about ethical behavior in a professional setting, which a writing center is. This chapter discusses how a person should behave towards writers, other coaches and teachers. The most important thing they stress is that a coach should respect the others that they encounter while working at the center.
What I Got:
I understood that coaches should behave in a professional manner and never say or do anything that could be taken as disrespectful towards either writers or faculty.
What a Beginning Coach Needs:
This whole chapter is geared towards beginning coaches, as it deals with professionalism and how to act while at work.
Best for:
I doubt that an experienced tutor would get much out of this chapter, since it is basic information about professionalism. The exercises at the back of the chapter also work very well for beginners, although there is a lot that wouldn’t work for our writing center (such as learning the history of our particular center, since we are a new center and are making the history).
Tuesday, May 18, 2010
Longman Guide Chapter 1: “Why We Tutor”
Main Points:
This chapter serves as an introduction to tutoring and explains how writing coaches must balance between contrasts. For example, coaches must be flexible while still maintaining a handle on the session and knowledgeable without appearing to be a know-it-all.
The chapter also emphasizes how coaches have to trust that the writers that come into the center are able to write their own work and control their own work, with their support. Coaches must also foster a sense of trust in the writer in order for the session to be effective.
The chapter also emphasizes that coaches come from many different backgrounds and that their experiences shape their views of tutoring. It also profiles how different writers go about writing. This shows that there are a lot of differences in how people approach both writing and coaching.
What I got from the chapter:
What I took out of this chapter is that differences are important and necessary to tutor. I also got the idea that every coach brings their experiences into any session that they conduct. This is a good thing because, as illustrated in the chapter, every writer’s process is a little different.
Questions:
They outlined a best-case-scenario, where the writer comes in for multiple sessions at different points in a specific writing project, which as a coach I know doesn’t happen. Is that the only way to be effective as a coach?
What a beginning coach might need to know:
They would need to know the kinds of things that the coaches quoted in the text though that coaching was, because it gives an idea of what is not a great way to go about coaching from what they said they didn’t like about their tutoring experiences. They would also get an idea that it’s okay to put your own spin on things, which is important, because just like another writer’s process would not work for one writer, tutors need to be able to coach in a way that works for them and for the writers they’re working with.
Works best for:
This chapter would probably work very well for beginning tutors, as it gives a lot of encouragement while not glossing over how difficult coaching can be. It also encourages independence and creativity within sessions. It also includes a lot of quotes from coaches and writers, which puts the ideas being discussed into a more personable, accessible format.
McAndrews & Reigstad "Tutoring Writing": Chapter 1: “Theories Underpinning Tutoring Writing”
Main Points:
There are several theories that support how tutoring writing can be an effective way to learn. The first theory is Social Constructionism, which states that writing is a social act and that no writer writes in a vacuum, but is constantly informed by culture and using writing to assimilate or identify with different cultures. This means that tutoring, as a social act, can help someone learn how to write. The second theory is Reader Response, which argues that the meaning of texts are informed or shaped by the way that a reader interprets it. According to this theory, writer, tutor and draft are all active participants. The third theory is called Talk and Writing, which states that talking is an essential to the writing process, and that writers talk in order to write. This supports tutoring because the tutor then becomes a sounding board, and helps the writer generate ideas by asking guiding questions and allowing the writer to talk through their issues. After that, the chapter discusses Collaborative Learning Theory, which states that learning often occurs as a consequence of two people, one more experienced and one less experienced, collaborating on something. In this theory, the learning is an incidental consequence of the collaboration. According to this, tutor and writer both learn by working together. Feminist theory takes a more relationship-oriented view that incorporates collaborative learning theory. Tutoring is a form of Feminist teaching because it emphasizes the relationship between writer and tutor.
What I Got from this Chapter:
Tutoring is not like teaching, where an expert delivers information to a less knowledgeable party. The writing coach and writer must be able to work together in order for the session to be effective. Talk is an important part of the session, rather than a distraction, as talking is part of the writing process. Written language is social.
Questions I had about this Chapter:
How is feminist theory different from collaborative learning?
What does Reader Response theory have to do with coaching writers? It’s mostly a literary criticism theory, so I don’t see how this works into tutoring.
How do I put these theories into practice in my sessions? What theories work best in practice?
What a Beginning Coach Might Get Out of this Chapter:
This chapter provides a bit of background knowledge about the logic behind tutoring, and why and how it works. This chapter also explains why tutoring is not like traditional teaching, which may be important at a school like Kean, where there are a lot of education majors who might be looking to become writing coaches. They would need to understand why this is not like what they study in their education courses.
Best For:
While there are points in this chapter that are helpful for beginning tutors, this book doesn’t explain some of these theories in terms of how they differ from each other (Collaborative Learning and Feminist Theory) or how they fit into the subject at hand, tutoring (Reader Response Theory). This could be confusing for tutors just starting training. This chapter would probably be very helpful for slightly more experienced tutors who are looking into theory as a way to develop strategies for use in their own sessions, though this chapter gives no strategies itself and the tutor would have to find their own way to put these theories to practical use.
Monday, May 17, 2010
Prefaces and Introductions to the Guides
It seems that one of the main points of this introduction is that writing tutoring doesn’t just occur in collegiate settings, and that it can be useful in other areas. The authors talk about how they have led workshops in business and worked with parents in secondary schools to help their students tutor at home as well as worked in a college setting. As a tutor, that is not the most interesting thing that I got out of this introduction.
The thing that fascinated me the most was that they referred to tutoring as a process. I’m familiar with writing being referred to as a process, but I had never thought of tutoring to be a process. I can only hope that this is expanded on further in the book, as it wasn’t explained in the introduction. They also briefly say the kinds of things that will be covered in the book, such as what tutors do, and what they don’t, which would be helpful for beginning tutors, but there also seems to be a lot of emphasis on theory rather than practice, which may not be helpful to a tutor just starting out.
From the introduction, I would think that this book might not be the best for beginning tutors, as it seems to have quite a bit of theory in it. Not all beginning tutors are going to need theory in order to help students, even if it is useful. Also, according to the introduction, there is a chapter on how to conduct a course on tutoring, which is obviously geared more towards instructors than student coaches.
After reading the introduction, if I was reading this book independently in order to improve my effectiveness as a tutor, I’d probably only read chapters 4 through 6. These chapters are listed as being the ones that have the most direct importance to actual tutoring sessions.
Longman
This introduction seems to want to bring the focus to the coaches more than the authors, and talks about the structure of the book mirroring the training process for a writing tutor. This focus on the tutor seems to be more in keeping with a guide or a handbook for tutors than the previous book, which read more like the introduction of a textbook, with an overview of theories used. The authors also stress that writing centers are a growing field and that means that needs more experienced, able tutors.
The most interesting thing that I got from this introduction was that there’s a chapter in this book on conducting writing center research. This makes me think that this book might be a good choice for experienced tutors looking to expand their involvement with their center, rather than a beginning tutor. This is supported in that the book seems to cover a lot more in-depth subjects, at least from glancing at the chapter overviews, than the other two guides.
Bedford
The introduction for tutors is simply two anecdotes told about tutors the authors have worked with. These anecdotes stress the kinds of issues that new tutors have, namely the desire to help writers write a “perfect” paper and the idea that they have to follow all the guidelines all the time. These anecdotes work well because they provide concrete examples of what a coach may face when they start working with writers, and right from the beginning too.
To me, this guide seems like the most simplistic, since they seem to take a more “how-to” approach rather than a theoretical one. This might be the most helpful for beginning tutors, but there drawbacks because as a tutor gains experience, they may want to explore the research and logic behind tutoring methods, and those might not be explored in this book.